Inga Adolfsson (SE)

Negative cutter and film preservation officer. Born in Stockholm in 1938. Deceased in 2020.

1938 - 2020

Inga Adolfsson started her career in the film industry at the age of 15 and became a negative cutter at the Sandrews studio in the 1950s. In 1971, she joined the Swedish Film Institute, where she worked tirelessly as film preservation officer until her retirement in 2004. Countless Swedish silent films were copied and restored through her care, and could thus be made available again to audiences at home and abroad – including at the Giornate del Cinema Muto in Pordenone in 1999, where she received the medaglietta delle Giornate for her restoration work.

Inga brought attention to the dangers of colour film fading early on, and then played a central role in the work of saving the Swedish colour films after the Film Institute had received special funds for that purpose in the mid-1990s. As a participant in the first FIAF Summer School in East Berlin in 1973, Inga acquired an international network that gave important impetus to her pioneering work, and in the mid-1980s she was part of a delegation from the Swedish Film Institute who travelled to Bangkok and helped at the establishment of the Thai Film Archive. In 1992, she was awarded the Ingmar Bergman Award for her “loving care of the sources of cinematography”.

Jon Wengström (2020)

Basic info

Main profession: Film Editor
Born: 1938
Died: 2020
Active: 1956-2004

Filmography

Negativklippning:
Änglar, finns dom? (1961)
Damen i svart (1958)
Kvinna i leopard (1958)
Vi på Väddö (1958)
En drömmares vandring (1957)
Gårdarna runt sjön (1957)
Sjutton år (1957)
Synnöve Solbakken (1957)
Vägen genom Skå (1957)
Flickan i frack (1956)
Johan på Snippen (1956)
Krut och kärlek (1956)
Moln över Hellesta (1956)
Sceningång (1956)

Övrig medarbetare:
Minns Ni? (1993)
Flickan i frack (1956)

Read more about the films at Svensk Filmdatabas (SE)

Awards

1997: Silverbobinen.
1992: Ingmar Bergman-priset vid Guldbagge-galan (1991 års pris “för kärleksfull vård av kinematografins källor”).

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